[Clipart 008] Cat in Flood

[Clipart 008] Cat in Flood

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“Okay, imagine this,” Greg started. Liu promptly stood up from her chair, put her newspaper underneath her armpit, and walked away from him. “No wait, don’t go,” he said, following her out of the food court and into the crowded hallway.

“I do not really want to do another one of your games,” Liu said, brushing her way past people in order to get away from Greg. “Please try again some other time.”

“It’s not a game, it’s a mind exercise. It’s fun,” Greg said. He pushed past the same people and tried to keep up with her down the hallway. “What’s so bad about fun?”

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[Movie Club] Why Audiences Hated “Noah”

[Movie Club] Why Audiences Hated “Noah”

This is the first post in a series we’re going to call “Movie Club”. We watch a movie that neither of us have seen (which will usually one on Netflix or Hulu), write a short piece pertaining to the film, and then say if we recommend it or not. This week I’ll be the only one writing an essay, as thedude has a con to go to/is a terrible person. Anyway, yeah, here is the thing!

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If you’ve heard anything about Darren Aronofsky’s film Noah, it was probably something about rock monsters. Many people, primarily those who went to the theaters expecting a one for one retelling of the flood story from the Bible, were disappointed and upset by some of the artistic liberties that were taken, with the rock monsters being the most often cited example. While you could say that gaps have to be filled when adapting such sparse source material, that the rock monsters are nephilim or golems, or any number of arguments that are either pro or anti rock monster, I feel like the source of much of the film’s negative reception comes from elsewhere.

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